A little light [beer] relief in a week we find our nation in a state of flux, one consistent beverage we can all rely on is a fine craft ale.
The recent phenomena and the dearth of micro brewers and privately / co-op managed ale houses is a good thing in my mind. The seasonality and historical regional flavours offers any visitor to the area an option to choose something made locally, with care and attention.
With the thousands of imaginatively named IPAs, stouts, amber ales and porters to choose from in my area of the country, it is often a challenge to find something that sticks out for the duration of the time at the bar or in a local bottle shop. This also is a good thing, long gone are the days of bland, insipid mass production brown liquid, offering only a guaranteed hang over from hell the next day, mainly due to all the additives and preservatives. Thankfully no more terrible TV ads for hooligan Lager full of cliches and less than clever macho strap lines.
Living in the convergence of both Manchester and Sheffield’s commuter belt, bordering the Peak District National Park, one would be happy to know we have dozens of local brewers hard at work each day making and mashing their delectable brews.
Having a small brewery on one’s doorstep is yet another reason to support local businesses that serve us with something so much more than the ambivalence we expect from many of the inner city hipster bars.
It is quite evident that these stalwarts of single mindedness, mavericks, revolutionaries and masters of individuality are the future of our brewing industry and with the current shenanigans in Westminster, exporting our wares will start to prop up the economy as much as our fading bars.
If you find yourself in the Peak District this year, make time to enjoy the new line of ales from Whaley Bridge Brewery, the innovative methods Mike (Master Brewer extraordinaire) explores with the finest hops and the excellent clear waters of the Peak combine to produce a very irresistible result.
You will be first attracted by the creatively designed packaging and labels, a nod to a much more contemporary rather than hairy eared trad design. Each beer is named after an area of this historical town and each offer a completely different flavour and gravity.
The two new ones to the growing collection are Crow Hill and Mount Famine. Crow Hill being a very fine American Amber Ale, offering an explosion of caramel maltiness, refreshing citrus fruits and the bitterness from the excellent hops Mike doesn’t scrimp on. So if its the hell or high watermelon you like in a lovingly crafted beer, using a combination of alchemy, science and experience, this newcomer to the market is for you. This ale is one for a lazy summer evening, swallows darting over head, enjoying the fading summer sun after a great day on the hill.
Mount Famine is a totally different brew – a little more lively ale that offers an instant hit of Tropical Fruits – including Passion Fruit (how he does this is beyond a laymen such as me) and more robust bitter notes, this triple hopped beer offers an excellent session ale for any occasion. I found to my delight it was a fine accompaniment to some Stilton and a borderline offensively ripe Brie.
They join the WBB family and can be found in a growing number of ale houses and pubs in the region.
Recently as this week, you can find all four of the collection in 500ml bottles at the National Trust Eyam Hall courtyard, The Eyam Real Ale Company, right next door to the Hartington Cheese Shop, to anyone living in the area and knowing the latter – a perfect match I am sure you will agree.
Goyt Wines in Whaley Bridge, The Tickled Trout, Barlow near Chesterfield, and as of yesterday, the Beer Dock in Crewe and Barley Hops in Congleton, Cheshire. With a pending launch event, the newest ale shop to populate the High Peak, Beer District in Buxton (4a Colonnade, Buxton) will be opening the first week of July, starring amongst others, the four Whaley Bridge Beers. Once they get the shop fitting complete, they will be offering a growing number of excellent beers and ciders to discerning locals and visitors to the Spa Town.
I would expect to see this collection of delightful beers in an ale house near you quite soon.
Remember, it is people like Mike that make the world a better place, a happier place, and for every pint of Carling not sold this week, we can all applaud those who get up at the crack of sparrows each day to pint-by-pint remove this despicable drink from our pubs and replace it with something made from simple ingredients, not stakeholder pension plans. Life is far too short to drink cheap beer.
If you have an event or wedding looming in the Peak District, do your bit to support a local trade and give Mike a call.
Well its been on the cards for a while and yes, yes, I know there are probably much more studios around here that offer the same service. However, as is our way, it will be delivered to you, our clients and friends of the studio with a whole new way. This year sees Slaughterhouse Studios Ltd move into offering production facilitation in a bigger way we did last year. With clients in the sportswear fashion brand sector amongst others, it was a decision inspired by one of our cherished clients and photographer. He had a terrible experience in a green screen studio last year and – as they say – the rest is history.
So without further waffle and flannel, may I present our very own (annexed) Green Screen Studio
80 square meters and fully loaded sound proofed, state of the art, with all the modern conveniences one would expect in 2013
Call now for details
0161 745 4232
There is so much more I want to tell you about the changes here at the studio, but only our clients get to know this..
You know what to do.
With only a couple of days left until the masterclass, there are now three further places left on the Saturday (2nd – 3rd Feb). This is a unique opportunity to attend this event lead by Liz Hingley.
We are very pleased to offer a unique opportunity: a weekend workshop with leading photographer Liz Hingley, including a portrait of you – or someone you nominate – by Liz, as part of her series in progress, Spiritual Object Portraits. Numbers are strictly limited to eight participants.
Liz Hingley is one of the most celebrated photographers of her generation; her sympathetic approach, curiosity, and insightful visual storytelling has won her numerous prizes and accolades over the last five years.
For more about Liz please see this BJP article.
Please scroll down for ticket information.
The weekend, taking place in partnership with Slaughterhouse Studios, will run as follows:
Saturday morning, 10:00 to 13:00: a presentation by Liz exploring her work and her approach, with advice on making successful documentary and storytelling projects. Liz will discuss her innovative ways of funding personal projects and different methods of exhibiting and presenting work.
Saturday afternoon, 14:00 to 17:30: Liz will look in detail at participants’ projects and offer individual critique and guidance, in a group setting.
Saturday evening: optional meal with Liz and the group.
Sunday: Liz invites you (or someone else you nominate) to participate in her international project Spiritual Object Portraits by being photographed with an object that is felt to have personal spiritual meaning, however you interpret ‘spiritual’. Following the portrait session and exchange with Liz she asks you to write a caption explaining the spiritual meaning of the object which is added to your portrait. So far Liz has made portraits in Paris, London, Austin Texas and Glasgow. Each portrait takes approx 30 minutes and we will send you a time slot in advance. All participants will receive a 10×8 inch print of their portrait (unsigned), with the option to buy a discounted signed print or prints. See an example below.
Sunday: Linda Woodhead will be present to talk to participants about their object and it’s meaning. Linda is professor of sociology of religion at Lancaster University and director of the Religion and SocietyResearch Programme, funded by the Arts and Humanities Research Council and theEconomic and Social Research Council.
Sunday: informal studio Q&A with Ian Simpson, Director of Slaughterhouse Studios. Before and after your portrait, Ian will be available to give advice and support on any aspect of studio photography.
Sunday sessions run from 10:30 to approx 16:00, but you are free to leave after your portrait.
Who is this workshop aimed at?
The workshop will be particularly beneficial for photographers who are considering, or have started, working on their own projects, whether documentary, editorial or fine art.
What work should I bring to discuss on Saturday afternoon?
Please bring photographic work in the form of a project or series of images around one (or two) themes. Maximum 15 images. They may be as prints, or Jpeg format on a USB memory stick.
What if I don’t want my own portrait made?
You can nominate anyone else to have the portrait in your place. You don’t need to do this immediately; nearer the time we will contact you for the details.
What are meal, travel and parking arrangements?
You can bring packed lunch on both days, or the studio is 5 minutes walk from a shopping centre including Sainsbury’s. There is an optional evening meal on Saturday, not included in the price. There is ample parking on site; and the studio is 15 minutes walk from Salford Central railway station. See http://ssltd54.wordpress.com/contact/where-to-find-us/
Spiritual Object Portrait, by Liz Hingley
Liz was born in Birmingham and graduated from Brighton University, UK with a first class BA Honours in Editorial Photography in 2007; she went on to complete a two-year scholarship with FABRICA research and communications department in Italy. In 2011 she completed an MSc in Social Anthropology (with distinction) at University College London (UCL) and is currently artist in residence at the UCL Migration Research Unit. Her work “Under Gods: Stories from Soho Road” was published by Dewi Lewis Publishing in May 2011.
Liz recently received the 2012 Prix Virginia and the 2011 Getty Editorial Grant to complete her work, The Jones family. She was finalised for the Eugene Smith Grant in 2010, selected as one of PDN’s 2011 top 30 emerging photographers and highly commended two years running in the Ian Parry Awards. Her work has been exhibited internationally including at the National Portrait Gallery in London, Le Petit Poule Noire Gallery in Paris and Ring Cube Gallery in Tokyo. Her images and writing are regularly published in international magazines as well as academic journals.
Slaughterhouse Studios: studio 1
Slaughterhouse Studios, the North West’s finest boutique photographic studio hire, offers three ideal studios for all kinds of photography, film and events, and create a bespoke service for any studio requirements and budgets. Unrivalled across the region for its versatility, Slaughterhouse Studios offers an extensive range of imaging services under one roof.
Directors Ian Simpson and Sid Simon have over 30 years’ combined expertise in professional imaging and are always on hand for practical assistance. Whether sourcing equipment or props, advising on lighting techniques or just lending a hand loading gear, Slaughterhouse Studios’ friendly staff are always delighted to help.
Advance booking closes on 1 Feb 2013 at 15:00.
Tickets are priced as follows:
£120 Redeye members
Prices include VAT @ 20%.
To pay the Redeye member price please remember to log in first as a member.
© Ian F Simpson 2012
The government will name and shame big construction companies that screw subcontractors and suppliers by failing to pay their bills on time.
Business minister Michael Fallon has written to all FTSE 100 and FTSE 250 companies telling them that if they do not sign up to the Prompt Payment Code, a voluntary agreement to promote good payment practices, he will publicise their refusal in the new year.
Companies being told to sign up include: major contractors Interserve, Galliford Try, Carillion and Kier; housebuilders Barratt, Berkeley, Bovis Homes, Persimmon, Redrow and Taylor Wimpey; support service companies Capita, Mitie and WS Atkins; and materials suppliers Wolseley, Howden Joinery, SIG and Travis Perkins.
The only FTSE 250 construction company to have signed up to the code already is Balfour Beatty, which did so in July 2010. Other major construction signatories include Willmott Dixon, Skanska UK, Morgan Lovell and Miller Construction.
Mr Fallon said: “Late payment causes real cash flow problems for entrepreneurs. It stops them from growing their business – we need to change the culture.
“Too many of our biggest companies are ignoring the Prompt Payment Code. My message to them is clear – make prompt payment a priority or face the consequences of being named. I’m confident that driving up support for the common sense principles in the Code will have a very positive effect.”
Currently 1,182 companies are signed up to the Prompt Payment Code. However, only 27 FTSE 100 companies and five FTSE 250 companies are signatories.
Forum of Private Business chief executive Phil Orford welcomed the minister’s invention. He said: “All too often we see a ‘domino effect’ of late payment right down the supply chain. It decimates cash flow and forces many firms into administration – so it is important that we do whatever it takes to reverse this trend and set in motion a culture of prompt payment for small businesses and the economy as a whole.”
A debate on prompt payment issues took place in Parliament on Thursday 8 November 2012.
Businesses can sign up to the Prompt Payment Code now at http://www.promptpaymentcode.org.uk/
My question is, why should this be a challenge to any FTSE 250/100 company? This should be an enforced code of practice, what ever size of business you are.
Far too many SME’s and Micro Businesses are being effected in the media sector, and yes this includes studio hire facilities. Recently after a very long and protracted conversation on this very subject with a studio owner in London, I challenged him to tell me who has not agreed to pay for his services and create a growing culture of late payment this year, moving the goal posts of terms from 14, to 30, to 90 days and even paying for the whole service package he offers (this includes his own lighting hire service, catering, MUAs, Styling team and a driver for the creative team and celebrity being shot that day) to 30 days after the image went public – six months after the shoot date for those interested in when he got paid. To be honest I had heard this one earlier this year that created a wedge between a new client and obviously some one I no longer choose to do business with.
I understand that as quotes and budgets get progressively strangled, we still offer the best service in all the finer studio hire centres up and down the UK, however, if these agencies are allowed to carry on creating a delay on all payments for services rendered then what are we to do?
Personally, I would love it if there were a standard industry code of practice that anyone hiring any services in the photographic industry – all payments should be treated like a retail payment. There are 1000’s of articles that express the anger of many and use the same analogy that one would not enter a department store, pick up a pair of shoes, try them on, enjoy the view in those small angled mirrors for a while, wonder if they will go with those new jeans you bought the other week and then walk out of the store with a short conversation with the staff saying, “I will come back next month and pay for these, OK?”
The cold arm of the law and probably a night in a cell is the end of this story, so why do proportionately more and more companies out there see the service sector of studio hire a much softer side of the hard faced industry?
I have written to M. Fallon MP to forward any information on those 1182 businesses that have signed up to this code of practice, particularly ones that are outside of the construction game. I will publish this list to assist in those of you who wish to secure at least one client who has no problem paying on time and appreciates the fact that all studios are in a supply chain of paying their own 3rd party debts.
I am lucky that this has happened less and less this year in comparison to last, this is all down to the contract I have with my cherished clientele – however I know that this has alienated me and my studio from many cash opportunities, due to the arrogance of those who wished to extend the payment of a very expensive shoot.
Simple question to ask at the very top – do you have the budget in place to pay for this? In accepting this cost of my services, are you aware that you are legally obliged to pay on my terms, not yours?
For those interested, this is the construction sector list of those who agree to pay on time to their suppliers and contractors, these are the kind of people who should be encouraged as trend setters.
|3D Scaffolding Limited||North West|
|A-Tech Installations||West Midlands|
|Advanced Roofing Limited||East Midlands|
|Archive Repair Specialist||Yorkshire & The Humber|
|Ardent Services Ltd|
|Arkoni Ltd||Yorkshire & The Humber|
|Asbestos Business Contractors Ltd||North West|
|Aspect Building Solutions Ltd||Yorkshire & The Humber|
|Association of Concrete Industrial Flooring Contractors (ACIFC)||London|
|Association of Interior Specialists||West Midlands|
|Atlas Washroom Systems Ltd||North East|
|B Mc Namee & Co Ltd||Northern Ireland|
|Badham & Sons||West Midlands|
|Balfour Beatty plc|
|Barrow & Brooks Ltd||South East|
|Bermar Building Company Ltd||Yorkshire & The Humber|
|Besure Building & Maintenance Services ltd||South East|
|BHE Services (Bolton) Ltd||North West|
|Birmingham Glass Services Ltd||West Midlands|
|Black & Veatch||South East|
|Boilerman Ltd||South West|
|Bristan Group Limited||West Midlands|
|C D Potter and Sons Limited||Yorkshire & The Humber|
|Cirrus Trading Ltd||East Midlands|
|Clarkes Environmental Ltd||Yorkshire & The Humber|
|D H Crofts Limited||South East|
|DCT Civil Engineering Ltd||North West|
|Dufell Roofing Co. Ltd.||North East|
|Dutton’s Electrical||East Midlands|
|Effective Builders Company||North West|
|EMCOR Facilities Services Limited||North West|
|ERH Communications Ltd||Wales|
|ERW Joinery Ltd||North East|
|F PARKINSON LTD||North East|
|Gary Gabriel Associates||South East|
|George Cox & Sons Ltd||North West|
|Goody Demolition Ltd||South East|
|Governor Electrical & Mechanical Ltd||Yorkshire & The Humber|
|Greendealhull.com||Yorkshire & The Humber|
|H Clarke and Sons Ltd||Yorkshire & The Humber|
|H&J Martin Ltd||Northern Ireland|
|Hannafin Contractors Limited||West Midlands|
|Harry Fairclough Construction Ltd||North West|
|HCS (Yorkshire) Ltd||Yorkshire & The Humber|
|Headway Contracting Services Ltd||North East|
|Huggins Limited||South East|
|Install Electrical Contractors Ltd||East Midlands|
|ITT WATER&WASTEWATER UK LTD||East Midlands|
|J Hughes Construction Limited||North East|
|K & M Mcloughlin Decorating Ltd||London|
|Keith Walton Brickwork Limited|
|L P MASON LIMITED||West Midlands|
|Lewis and Lewis Ltd||Wales|
|Lincs Joinery Services Ltd||East Midlands|
|LJPM Ltd||South East|
|MacLay Civil Engineering Ltd||Scotland|
|Main Building Maintenance Ltd||South East|
|McLaughlin & Harvey Ltd||Northern Ireland|
|MCP Environmental LLP||Yorkshire & The Humber|
|MIDLAND FIRE PROTECTION LTD||East Midlands|
|Minshull Windows Ltd||Wales|
|Moss Construction (NI) Ltd||Northern Ireland|
|Mott MacDonald Limited||London|
|Multispace Systems Ltd||Yorkshire & The Humber|
|MURRAY & WILLIS LTD||West Midlands|
|Mwt Civil Engineering Ltd||Wales|
|Oddy Builders Ltd||Yorkshire & The Humber|
|Olivison Ltd||South West|
|One Stop Maintenance OSM Ltd||West Midlands|
|PAW Structures Ltd||North West|
|Paynters Flooring||Yorkshire & The Humber|
|PGR Innovations Limited||Yorkshire & The Humber|
|Professional Electrical Solutions Limited||South West|
|Providence Maintenance & Electrical Services Ltd||Yorkshire & The Humber|
|Pyramid Builders Limited||London|
|RDA Limited||North East|
|Reddish Vale Insulations Ltd||North West|
|RESIBLOCK LIMITED||South East|
|RI Construction||North East|
|Rok Plc||South East|
|roofclad profiles ltd||Northern Ireland|
|Roy Hankinson Limited||North West|
|Rule & Parker Ltd||East of England|
|S. Peake & Son Ltd||West Midlands|
|sanmet||Yorkshire & The Humber|
|sedgemoor heating||South West|
|Skanska Construction UK||South West|
|SM ELECTRICAL SUPPLIES LTD||Scotland|
|SOFT SURFACES LIMITED||North West|
|T&B (Contractors) Limited||South East|
|TECHRETE (UK) LIMITED||East Midlands|
|Thompsons Fencing Ltd||North East|
|Universal Carpentry & Joinery Ltd||East of England|
|V&T(Plumbing Central Heating & Bathrooms) Ltd t/a Aqua Interiors||Yorkshire & The Humber|
|Wayman Fabrications Ltd||North West|
|Wellington UK Ltd||South East|
|Wharton Construction||North East|
|William Doherty||Northern Ireland|
|Willmott Dixon Holdings Limited|
|WJM BUILDING SERVICES LIMITED||Northern Ireland|
|Woodhouse-Barry (Construction)Limited||North East|
(source – the construction index Nov. 2012)
I am getting an alarming number of people in the studio this year that have no time, understanding of the importance of, or interest in the writing of a basic call sheet. Well allow me to – without any note of patronising anyone – expand on why it is just as important that everyone gets on board and understands the need for a call sheet with any size of shoot.
Different people like different levels of information, I require lots of information prior too, during and after any shoot here at the studio. A royal pain in the arse, maybe. Important to secure and preserve all aspects of safety on the studio floor, absolutely. In short, a Call Sheet should be no less than 2 pages long for every day you are shooting, ignoring this simple request raises real issues in your ability to understand that a call sheet and risk assessment is just as important as an equipment list and making sure all the relevant kit and/or wardrobe gets delivered to the correct address.
So rather than rant on and on (as I do from time to time) about the importance of entering into any shoot into any studio with a call sheet, I offer you all a pro-forma to copy and paste onto any number of A4 sheets or email.
“What’s the point?” “I know who is here and that’s all I have to say on the matter”, “I am far too busy”. “I have been working in this business for 14 years and never been asked by a studio for a call sheet”…
All quotes from recent “anonymous” clients.
Thankfully I managed to get my point across to some, but not all. I also hear with great disappointment that all graduate students leaving the nation’s Universities this year will yet again be left without the basic tools to enter any studio environment, so I implore, please copy this – free – document and have a copy of it on your Phone/laptop ready for printing and emailing out to any studio or location shoot you may be employed to work on in future and when your boss asks you where you got that from, just say you heard it from me.
Remember, you must have this in the building and copy of it must go to the studio owner prior to arrival. Worst case scenario, you have not told them that you have 22 people in today who are having their photograph taken with your celebrity asset for a Rotary Fund Raiser this Christmas, the place goes up in smoke and fearsome flame and the owner of the studio has only the people he/she saw on arrival that morning. Who would be to blame and who would have to go up in front of a Judge for Manslaughter?
Certainly not I.
Call Sheets are an invaluable method of reference for keeping tabs on who you worked with this time last year and on what jobs.
You have no excuses.
Take a look at the pro-forma I have drafted for the studio website, its a pdf, so I expect to see many more detailed shoot schedules and call sheets in the future. It is your responsibility as the principle on any shoot to have this sent to all relevant people linked to your shoot, it speeds up progress of the shoot and slows down the chances of any horrible surprises on the chosen dates.
October already???!! where has this year gone? Far too much fun and shenanigans this summer, certainly most of it should have come with a health warning – may cause insomnia – but we survived and with that the studio is looking forward to a very busy month. That said, its been a while since anyone creative and daring enough to test out some ideas here. I for one love the change in pace and delivery during test days, its always beneficial to expand one’s techniques and equally expand one’s mind. Rather than calling and suggesting a test be a commercial shoot wrapped up in sheep’s clothing, you know who you are…..
So this ‘all points bulletin’ goes out to all you freelancing snappers who need to rid themselves of the shackles of day-to-day work and have carte blanch in either one of the studios here for either a half or full day. I have some openings on the calendar so booking would be wise. Monday to Friday only I am afraid and you will have to supply your own lights and catering, everything else in the studios are yours to use. £100 full day (08:30 – 17:00) or £50 half day (start and wrap within the times above) – cash only.
So make a call and expand your mind/portfolio/technique/knowledge etc.
The studio is wonderfully toasty warm this morning all down to the new heating system. Yes, it’s true, so much has been done to this building since 22nd March 2010, many, many 100’s of gallons of paint, rewiring, ridding the smell of a dozen years of cigarette smoke, terrible colour schemes and generally making it a cozy and welcoming place to work. However, winter was never a good time to work here due to the ‘vintage’ heating system, so after visiting a contemporary studio recently and feeling just how cold it was even in summer, the essential and over due work had to be done. So much more efficient and very effective appliances now create a warm and improved temperature even in studio 2, so no more shivering models, no more crowding around the wall heaters in down jackets each morning until the Arri’s do their job, and thankfully creating a sub tropical paradise in the badlands of Salford & Manchester. I promise that Sid nor I will be seen wandering the halls of the building in wife beater vests and knotted hankies. Now there’s a vision…
Well it has been a while since I had time to write, what with expansive plans and a very busy studio diary, I feel that I have neglected my responsibilities to exposing the highlights at Slaughterhouse Studios. After opening new client contracts, a summer of assisting in changing people’s lives and generally having a great time driving fast cars, playing with vintage Leica cameras and witnessing some of the finest photographers to come out of Manchester, it’s been a rewarding and humbling season and one that will stay with me for a very long time.
Improvements are being made in the Freelance Photographic sector on the North West, Miss Layla Sailor is now fully freelance and I for one could not be happier for her decision to immerse herself in creating some groundbreaking and cutting edge masterpieces, if only some snappers employed by certain well known fashion mags would stop plagiarising her most current of works – just give her the job people!!! Jesus H Macy, it doesn’t take much…you just pick up the phone and press those numbers on top of it in the same corresponding order as her mobile number and if she doesn’t pick up, leave a message after the beep. Simple, no?
Mr Dan Walmsley has recently become a regular face about the place, this has brought me joy and relief that after following his skilful and professional delivery of photography for some time, we finally managed to join our forces to create a fabulous campaign for a very interesting client. Since then I have had the pleasure in seeing this Gent produce some most excellent images. Anyone requiring an efficient, hard working and skilful master of the lens, then please take a look at his website and book him today.
Equally, there is Mr Rob Evans, a master of the celebrity shoot, excellent at lighting and deeply inspired by Noir, Rob’s work has transformed the more recognised faces of popular culture into sirens and heartthrobs. Now freelance, his work is taking a new direction into fashion and documentary editorial, thankfully I have had the pleasure in seeing these shoots come together with excellent results. So again, anyone in the South requiring a Photographer in the North, one who can work anywhere, then call Rob, anytime.
So here is to the progressive growth of Slaughterhouse Studios Ltd and with increasing links to the finest in the UK and wider overseas markets, major campaigns such as the new Joe Hart Head & Shoulders ambassadorship, luxury fashion goods, scientific breakthrough interventions for Palsy sufferers, fine knitwear and the odd Aston Martin convertible – 2012 is looking like a bloody good year.
Keep tabs on up and coming events throughout the year on the facebook or twitter sites (@ssltd). Film night is on the 27th this month and will prove to be a night of fright.
We look forward to hearing from all the new clients out there, and with all the regular faces in the studio already booked in this month its going to another fun time at the Slaughterhouse.
Living dangerously I know, what with having the Olympic Marketing Board copyright a date, a city and even the roman numerals of 2012, but hey, its now time to live in the spirit. I am not profiting from anything here, so relax and enjoy the show. One cannot not miss out on the brilliance of the Olympics in London starting today. It’s cold hearted and cynical person who can remove themselves from the emotions of the day. I could go on and on how inspirational it is for the whole nation but there is only one Athlete we at the studio and in the Simpson household are supporting over the next 2 weeks and that’s Victoria Pendleton so join us in screaming at the screen, or if you are lucky enough to have tickets for the Velodrome next week, lets encourage her to slap that smug Aussie cow down to second place and get “our Victoria” those 2 gold medals she needs to become Dame Victoria Pendleton.
Enjoy Underworld, fireworks and a bunch of flying bicycles tonight
Go Team GB!